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Those new to the grunge “scene” incorporated it into their speech. And while wack slacks never caught on, there was a rush of T-shirts and other apparel that were emblazoned with harsh realm and other Jasper-coined phrases. Jasper later returned to Sub Pop, eventually becoming its CEO. (Marin’s editor, Penelope Green, told The Ringer that she had written up a correction, but that it never ran.) Confused, the Times reached out to The Baffler, which insisted their Jasper story was accurate. Instead of confessing, Jasper insisted they were real-she was fearful, she said, of Marin or his editor losing their jobs. This, in turn, prompted a call to Jasper from an editor at The New York Times. In March 1993, Chicago publication The Baffler ran a story criticizing both the Times and Sky for falling victim to Jasper, who admitted to making up the terms. When her mother phoned her and told her to look at the Novemedition of the Times, she realized she had been taken at her word. This came as a surprise to Jasper, who didn't believe the silly terms would ever really see print. Between the two publications-and one band, Mudhoney, catching on to Jasper’s joke and deciding to regularly drop the made-up terms into interviews-the public at large assumed words like cob nobbler were spoken throughout the Seattle scene. Jasper had made similar claims to a British magazine, Sky, which she also felt was looking at the grunge scene askance. Soundgarden's Chris Cornell performs in 1992. “I thought that this was all going to end with him going, ‘Oh come on!’” Jasper said. Swingin’ on the Flippity-Flop: hanging outĪccording to Jasper, Marin seemed credulous about the words, so she kept going. Among the words she pulled from the ether that later ran in The Times: You want a lexicon? I will totally give you a lexicon.’” “I thought ‘Sure, but there really wasn’t a secret language. “And I thought ‘really?’” Jasper told KNKX in 2020. While grunge had certainly entered the public discourse, it had not been the start of any glossary of grunge terms. It happens in everything from multi-level marketing to cults.īut grunge did not, in fact, traffic in an abundance of slang. Subcultures often develop their own subversive language that helps bond them and enhances the feeling that they’re in exclusive company. Every subculture has a different way of speaking and there’s got to be words and phrases and things that you folks say.’” “The journalist said, ‘We would like to share a lexicon of grunge. “They were doing a huge feature on grunge in Seattle,” Jasper told The World in 2018. When Marin phoned her in 1992 to talk about grunge and its influence on fashion-she was working for Caroline Records at the time-she was, as a mischievious Poneman had predicted, put off by his line of questioning. Poneman, who had been forced to lay off some company employees, including Jasper, referred the Times to her. But Japer was also irreverent, a trait that came to mind when Marin phoned Sub Pop co-founder Jonathan Poneman.

As a former office worker for Sub Pop, which had ushered bands like Nirvana, Soundgarden, and Mudhoney into the world, Jasper seemed adjacent to the grunge movement and well-positioned to speak on it. Record labels and artists in and around Seattle weren’t keen on being defined by a locale nor did they particularly feel like cooperating with a media they felt either misunderstood their work or were dismissive of it. There were issues with this level of scrutiny. Grunge seemed less like a rock genre and more of a lifestyle movement. When the sound began to escape Seattle and spread throughout the country, the mainstream media quickly moved to provide explainers to puzzled Baby Boomers. Grunge acts didn’t twirl microphone stands lead singers didn’t do splits. Rising out of the Seattle rock scene of the 1980s and bands like Soundgarden, the Melvins, and others, grunge was defined by a kind of sadcore sound and an aesthetic rejection of the hair band era. “Grunge” was never a label that was particularly embraced by all of the bands who came to represent the musical genre, but there was no question it was a phenomenon.

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